MA (Hons) Film and Visual Culture and Philosophy Bachelor's degree at the University of Aberdeen

This compulsory evaluation is designed to find out if your academic writing is of a sufficient standard to enable you to succeed at university and, if you need it, to provide support to improve. It is completed on-line via MyAberdeen with clear instructions to guide you through it.

This course, which is prescribed for level 1 undergraduate students and articulating students who are in their first year at the University, is studied entirely online, takes approximately 2-3 hours to complete and can be taken in one sitting, or spread across the first 4 weeks of term. Topics include University orientation overview, equality & diversity, MySkills, health, safety and cyber security, and academic integrity.

Over the last twenty years, the visual landscape has become digital, virtual, viral, and global. A vibrant cross-section of scholars and practitioners from Art History, Critical Theory, Cultural Studies, Anthropology, and Film Studies have responded, not only engaging contemporary image production and consumption, but also the foundations of visual knowledge: What is an image? What is vision? How and why do we look, gaze, and spectate? From the nomadic pathways of the digital archive to the embo

This course offers an introduction to the language and practice of formal film analysis. Each week we will explore a different element of film form and analyze the ways in which it shapes the moving image. This course invites students to think about formal elements within and across a wide range of genres, styles, historical moments, and national contexts. By the end of this course, the successful student will be able to recognize and communicate the ways in which meaning is made in cinema.

How "real" is reality? How does the mind relate to the world? This course introduces two approaches to answering these questions: rationalism and empiricism. By reading Rene Descartes' Meditations on First Philosophy, we learn about Descartes' rationalist approach to knowledge, reality, mind-body dualism, and God's necessary existence. Through David Hume's Enquiry Concerning Human Understanding see how Hume grounds knowledge in experience. We read Hume on impressions and ideas, induction, causal

We examine questions such as: Is eating animals immoral? Is being a good or bad person a matter of luck? If so, are we justified in punishing bad people? Should anyone be able to set limits on what you can do with your own body, even if it's 'for your own good'? Should everyone be allowed to state their mind, even if their views are harmful or offensive? Is censorship ever justifiable? Do you have a moral obligation to help those worse-off? Are you unknowingly biased against underprivileged grou

What does it mean to live a good life? How do we determine what is good or bad, right or wrong? Are some ways of living better or worse for us? In this course we will look at some central philosophical approaches to answering these questions. Traditions we may engage with include virtue ethics, Chinese ethics, deontology, consequentialism, and feminist ethics. Along the way, we will read the original work of some of the most important scholars in the history of moral philosophy. Students will be

We are living through an environmental crisis. This is well recognised and widely discussed. Most of this discussion focuses on what we should do to deal with the crisis, and rightly so. But it is also well recognised that the current crisis is deeply rooted in how we think of nature and the natural world and why we value it. Environmental Ethics helps us think about these foundational issues and get clear on why - and not just how - we should save the planet.

What makes an argument a good argument? What are the correct rules for reasoning? How should we revise our beliefs in the light of new evidence? What should we think about paradoxes? This course provides an introduction to logic and tools for successfully evaluating arguments. Some of the topics covered include validity, soundness, consistency, entailment, provability, belief revision and paradoxes. The language of propositional logic and key ideas in Bayesian epistemology are introduced. The co

The first half of a film history sequence at the second year level, Visualising Modernity focuses on crucial moments, concepts and cinematic works from the period 1895 to 1945.

Assessment: Students will be marked according to a mid-term essay, a final exam, short assignments on Blackboard, and attendance in lectures and tutorials.

The second half of a film history sequence at the second year level, Cinema & Revolution focuses on crucial moments, concepts and cinematic works from the period between 1945 and the present.

Assessment: Students will be marked according to a mid-term essay, a final exam, short assignments on Blackboard, and participation and attendance in lectures and tutorials.

Students will have the opportunity to write a dissertation on a topic of their choosing within Film and Visual Culture.

The dissertation is on a topic in philosophy. The specific topic will be chosen by the student with the approval of the supervisor. The choice of topics is restricted insofar as it must fall within the teaching competence of the supervisor. Another dissertation or Project course must not be undertaken alongside the Philosophy Dissertation