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There are various types of rhyme that we can use in poetry; one of these is a monorhyme. Let's look at this in more detail.
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Jetzt kostenlos anmeldenThere are various types of rhyme that we can use in poetry; one of these is a monorhyme. Let's look at this in more detail.
Monorhyme is the use of one end rhyme used for a whole passage, verse, stanza or poem. Mono- means 'one,' meaning there is one rhyme.
A monorhyme poem is when a poem uses the same end rhyme in each verse or even the same end rhyme for the whole poem.
Read the following poem, 'Silent Silent Night' by William Blake (1863). What can you notice about its rhyme scheme?
Silent Silent Night
Quench the holy light
Of thy torches bright
For possessd of day
Thousand spirits stray
That sweet joys betray
Why should joys be sweet
Used with deceit
Nor with sorrows meet
But an honest joy
Does itself destroy
For a harlot coy
(William Blake, 'Silent Silent Night', 1863)
The poem 'Silent Silent Night' by William Blake is an example of a monorhyme poem.
A monorhyme rhyme scheme will be groups of repeated rhymes for either small sections or for the whole poem. For example, a monorhyme poem's rhyme scheme could be AAAA BBBB CCCC DD or AAA AAA AAA.
In Silent Silent Night, Blake uses an identical rhyme for each verse. Because of this, we can say that the rhyme scheme is AAA BBB CCC (each line of each stanza ends in an identical rhyme) and, therefore, the poem is in monorhyme.
Let's take a look at each individual verse of Blake's 'Silent Silent Night'.
Silent Silent Night
Quench the holy light
Of thy torches bright
The final word of each line ends in 'ight' ('Night'; 'light'; 'bright'). These words are identical rhymes because they share the same sound / ai / and end in the same consonant / t /.
Identical rhymes share the same sound and end in the same consonant.
For possessed of day
Thousand spirits stray
That sweet joys betray
The identical rhyme contains the sound / ei / ('day'; 'stray'; 'betray') and ends with the same consonant, the letter y.
'possessd' in the 1st line of the 2nd verse is missing an 'e' (possessed): Blake did not rely on standard spelling or punctuation, so often his words will appear misspelt or strange.
Now look at the last two verses, can you identify the monorhyme in each of them?
Why should joys be sweet
Used with deceit
Nor with sorrows meet
But an honest joy
Does itself destroy
For a harlot coy
In verse 3, the monorhyme contains the sound / i: / ('sweet'; 'deceit'; 'meet') and the same final consonant, 't'.
In verse 4, the monorhyme contains the sound / ɔɪ / ('joy'; 'destroy'; 'coy') and the same final consonant, 'y'.
Monorhymes also appear in earlier works by Shakespeare and John Donne.
Shakespeare uses monorhyme in a riddle that the Prince of Morocco reads out from a scroll in the Merchant of Venice:
All that glisters is not gold,
Often you have heard that told;
Many a man his life hath sold
But my outside to behold:
Gilded tombs do worms infold.
Had you been as wise as bold,
Young in limbs, in judgment old,
Your answer had not been inscroll'd:
Fare you well, your suit is cold.
(Shakespeare, The Merchant of Venice, 1597)
As you can see, every line rhymes identically, the final words all ending in '-old' or '-oll'd' (inscroll'd).
Shakespeare uses monorhyme during a speech in The Merchant of Venice where every word on the end of a linerhymewith '-old.'
John Donne uses monorhyme in his satirical 'letter-poems' (or epistolary satire) sent to friends and fellow poets; in the example below he regrets his loss of inspiration:
Like one who in her third widowhood doth profess
Herself a nun, tied to retiredness,
So affects my Muse, now, a chaste fallowness;
Since she to few, yet to too many hath shown,
How love-song weeds and satiric thorns are grown,
Where seeds of better arts were early sown.
(John Donne, excerpt from a letter to his friend Rowland Woodward, 1590s)
Unlike Shakespeare's riddle in the previous example, Donne's 'letter', or poem, is divided into stanzas of 3 lines, each of which shares a rhyming sound in the last word: 'profess', 'retiredness', and 'fallowness' in the first stanza, 'shown', 'grown', and 'sown' in the second stanza, and so on.
Note: 'stanza' and 'verse' can be used interchangeably.
In the opening verses Donne retains the identical rhyme. However, due to necessity or experimentation, as he progresses (the poem runs to 12 stanzas in total) he resorts to less identical rhymes:
There is no virtue but religion.
Wise, valiant, sober, just, are names, which none
Want, which want not vice-covering discretion.
'Religion' in the first line and 'discretion' in the second line share the same ending '- ion'. However, although the end rhyme of the second line, 'none', sounds the same, it is non-identical in its end spelling.
This occurs again in another verse, and then becomes more noticeable in the 10th stanza:
So works retiredness in us; To roam
Giddily and be everywhere, but at home,
Such freedom doth a banishment become.
The spelling is again non-identical: 'roam' does not share the same ending with 'home' and 'become'. Furthermore, 'home' does not really sound like 'become'.
This gradual change to non-identical rhyme might also have been deliberate, to emphasize his loss of inspiration.
At some time in the past, these words may have rhymed perfectly but over time the pronunciation has changed so they cease to rhyme in modern pronunciation; these are called historical rhymes.
If you look back at the examples by Blake and Shakespeare to see how many syllables there are in each line, you will see that Shakespeare uses seven, while Blake only five.
Now compare with the number of syllables used per line in the following excerpt from William Gay's (1865-1897) 'The Sorrowful Fate of Bartholomew Jones'.
Bartholemew Jones made his money in mines,
And although he has left us his fame still shines
As a man who was knowing in various lines.
It wasn't his line to write or to spell,
To teach or to preach, to dig or to fell,
But to handle his shares, and to keep out of hell.
He knelt every day at the foot of the Throne
(To use his own words), yet he wore (it was known)
His garments of grace or a heart made of stone.
(William Gay, excerpt from ''The Sorrowful Fate of Bartholomew Jones' 1911)
In this passage:
The poet has allowed himself flexibility in the number of syllables while maintaining rhythm and pace (try reading the stanzas out loud to see!)
After Bartholomew Jones dies, he goes to heaven but finds it all very dull - nothing but gold pavements, harps and angels, and constant sunshine. He complains that he would have been better off sinning when he was alive:
'If this be the heaven I laboured to win,
I'd better have taken full measure of sin,'
He moaned to the angel who first let him in.
Said the angel, while looking to bolt and to bar,
'I fear, sir, you're somewhat mistaken so far,
But this is the hell where the hypocrites are.'
The poet uses monorhyme in The Sorrowful Fate of Bartholemew Jones to create rhythm and pace when it is read aloud.
Have you ever written a monorhyme? As we have seen, the number of syllables per line can vary, however, there should be identical rhymes at the end of each line of a stanza (or the whole poem if you're feeling ambitious!)
Monorhymes have been used for serious as well as satirical poetry. Here is an extract from a monorhyme poem about nature by Mary Electa Adams, where she describes a setting sun:
The broad, red west like a furnace glows,
And the wind like a Titan's bellows blows,
'Till one could not tell if it burned or froze.
(Mary Electa Adams, 'By the Marshes of Tantramar', 1898)
Notice how the number of syllables changes from nine to ten yet maintains rhythm.
The poet switches the syllables to ten and eleven syllables a line a few stanzas later:
The years and the sea and the star are the same,
And the broad, red west hath been often aflame,
But it standeth still in the mighty frame."
The poem's closing stanza contains three lines of eleven syllables each:
What wouldst thou, through earth and the heavens to plod?
The universe changeless would be but a clod,
And change is the name of the working of God.
The monorhyme is perhaps among the more flexible types of poetry and is useful for humorous and philosophical poetry as well as riddles. It might not appeal to everyone (and has been called mere doggerel!) But it can add pace and rhythm to a poem, thereby enriching the reader's experience and understanding.
Doggerel is poetry that is written for comic effect, often in a loose or irregular style. Also used to describe 'badly written poetry'.
The rhyme scheme in a monorhyme poem is AAA (identical rhyme for each line).
Monorhyme poems tend to use identical rhymes.
Identical rhymes share the same sound and end in the same consonants.
The monorhyme is perhaps among the more flexible types of poetry and is useful for humourous and philosophical poetry as well as riddles.
A monorhyme poem is when a poem uses the same end rhyme in each verse or even the same end rhyme for the whole poem.
William Blake's Silent, Silent Night.
The rhyme scheme for monorhyme is AAAA.
To write a monorhyme poem, you need to make sure that you use the same rhyme at the end of each line for either a whole stanza or the whole poem.
You need to use the same end rhyme for each verse or even for the whole poem.
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SIGNUP SIGNUPFlashcards in Monorhyme20
Start learningWhat is a monorhyme poem?
A monorhyme poem is when a poem uses the same end rhyme in each verse or even the same end rhyme for the whole poem.
What is an example of a monorhyming poem?
William Blake’s 'Silent, Silent Night' is an example of a monorhyming poem.
What is the rhyme scheme for monorhyme?
The rhyme scheme is AAA.
What are identical rhymes?
Identical rhymes share the same sound and end in the same consonant.
Complete the following: Rhyme scheme is the … used for structuring a poem. We use letters of the alphabet to indicate the pattern, for example … for alternating rhymes, … for matching rhymes and so on.
Rhyme scheme is the pattern used for structuring a poem. We use letters of the alphabet to indicate the pattern, for example, ABABAB for alternating rhymes, AAA for matching rhymes and so on.
At some time in the past, these words may have rhymed perfectly but no longer rhyme in modern pronunciation; these are called … .
At some time in the past, these words may have rhymed perfectly but no longer rhyme in modern pronunciation; these are called historical rhymes.
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