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European Literature

Since beginning in ancient Greece nearly three thousand years ago, European literature has become one of the world’s most influential literary traditions. Although it consists of literature in many different languages hailing from various countries and cultures, this shared cultural heritage has helped Europe maintain a unified field of literature that contains the work of some of humanity’s revered authors. Noteworthy examples like William Shakespeare, Leo Tolstoy, and Victor Hugo have and continue to influence literature worldwide. 

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Since beginning in ancient Greece nearly three thousand years ago, European literature has become one of the world’s most influential literary traditions. Although it consists of literature in many different languages hailing from various countries and cultures, this shared cultural heritage has helped Europe maintain a unified field of literature that contains the work of some of humanity’s revered authors. Noteworthy examples like William Shakespeare, Leo Tolstoy, and Victor Hugo have and continue to influence literature worldwide.

From the dramatic tragedies of ancient Greece to the existential explorations of 20th-century existentialism, European literature has made significant contributions to the global literary canon.

European Literature: Definition

European literature is a broad term covering the literary works produced in Europe, spanning many centuries, languages, and genres. It includes some of the world's oldest literary traditions, from the epic poetry of ancient Greece and Rome to the modernist and postmodernist movements of the 20th century. Known for its rich diversity and profound influence on world literature, European literature has been the source of numerous stylistic innovations, narrative forms, and philosophical ideas.

A History of European Literature

European literature can be divided into various periods based on stylistic, thematic, and cultural shifts. These include:

  • The Classical period (c. 8th century BC to AD 5th century),
  • Middle Ages (5th to 15th centuries),
  • Renaissance (14th to 17th centuries),
  • Enlightenment (17th to 18th centuries),
  • Romanticism (18th to 19th centuries),
  • Modernism (late 19th to mid-20th centuries), and
  • Postmodernism (mid-20th century onwards).

Each period is marked by distinct literary styles, themes, and genres that reflect the historical and cultural contexts of the times. European literature began in ancient Greece nearly three thousand years ago and followed the twists and turns of European history.

The Classical Period

Literary activity has existed in Europe since ancient times, with the societies of the ancient Greeks and Romans generally considered the birthplace of Western literary tradition.

European Literature, a map of Europe, StudySmarterFig. 1 - European literature began in ancient Greece.

The earliest surviving European works from this period are the classical Greek epic poems the Iliad and the Odyssey, dating from the 8th century BCE and attributed to the poet Homer (c. 8th century BCE). Nearly 3,000 years later, modern audiences still read these works, significantly influencing European literature.

By the time the Romans conquered Greece in the 2nd century BCE, the major categories of literature that we know today, including drama, poetry, prose fiction, history, philosophy, and biography, were already well established. Many of these were divided into genres with clearly defined rules and conventions, such as comedy and tragedy in drama.

Ancient Roman writers working in Latin began to emulate Greek style, structure, and subject matter in their own work. Over the centuries, the Romans began to find their own voice and step away from mere imitations of Greek literature, particularly in the fields of poetry and comic theatre.

By the 3rd and 4th centuries CE, Christianity had become widespread throughout the Roman Empire, and religious morality began to make itself apparent in European texts.

Did you know? The oldest known intact book in Europe is a copy of the Gospel of St. John. It dates from c. 698 and was found remarkably well-preserved in the coffin of St. Cuthbert.

The Middle Ages

The fall of the Roman Empire in 467 CE marked a turning point in the history of European literature. The Roman Catholic Church had spread throughout Europe thanks to the reach of the Roman Empire, and the Church remained the primary intellectual institution of the Medieval period. Because of this, many of the surviving texts from the Middle Ages are religious in Nature, including hymns, theological writings, and so-called mystery plays, which usually depicted Biblical stories.

In addition to religious texts, the Middle Ages also produced secular literature, although in smaller quantities. Many of these texts, such as the Welsh Y Gododdin (7th-11th century) and the Old English Beowulf (700-1000 AD) were based on myths or histories that had been recounted orally for centuries but were finally written down during the Middle Ages. Oftentimes, these stories were altered by the Christian scholars who transcribed them. They added Christian influences that would not have been present in the original story's oral tradition, thus altering the historical record that remains of these ancient pieces of literature.

There was also a limited amount of secular prose and poetry produced across Europe. Drama also regained popularity, particularly towards the end of the Middle Ages.

The Renaissance

The Renaissance saw an explosion of artistic and cultural activity emerging from years of plague, famine, and political instability that marked the late Middle Ages. Beginning in Italy in the 14th century and slowly spreading across Europe, numerous discoveries in science, astrology, and geography brought sweeping changes to society. A growing interest in humanist philosophy caused intellectuals to revisit the classical works of antiquity. The texts of the ancient Greeks and Romans, largely forgotten during the Middle Ages, began to inspire a new generation of European writers.

European Literature, Florence cathedral at night, StudySmarterFig. 2 - The Renaissance began in Italy in the 14th Century.

Around 1440, the German goldsmith Johannes Gutenberg invented the printing press, allowing literature to be reproduced and distributed on a previously unimaginable scale. Poetry flourished in France with the Pléiade group, and the Spanish Miguel de Cervantes (1547-1616) wrote Don Quixote (1605), widely considered the first example of the modern novel.

The invention of the printing press in the mid-15th century forever changed how we share and consume media. Prior to Gutenberg's invention, texts had to be painstakingly copied by hand at a rate ranging from forty pages to just a few pages per workday, depending on the technique being used. This tedious process understandably limited the availability of literature.

Gutenberg's press, however, was able to print up to 3,600 pages per workday, meaning that the production of literature skyrocketed in the coming centuries. Europe was soon producing millions of printed books, meaning that more authors were able to have their work published, literacy rates rose among the general population, and democratization of information began.

Drama was also a significant literary form during the Renaissance, particularly in Elizabethan England, where William Shakespeare (1564-1616) was busy establishing himself as one of the greatest English-language writers of all time with plays that are still widely read and performed today, such as Romeo and Juliet (1597) and Hamlet (1599-1601).

The Enlightenment and Romanticism

During the Enlightenment, the volume of printed material significantly increased across Europe. Society placed greater importance on reason, individuality, and education.

Accordingly, science and philosophy heightened, and great thinkers such as Thomas Hobbes (1588-1679), John Locke (1632-1704), and Jean-Jacques Rousseau (1712-1778) produced some of the Enlightenment period’s most influential texts. Works like Hobbes' The Elements of Law, Natural and Politic (1640), Locke's An Essay Concerning Human Understanding (1689), and Rousseau's The Social Contract (1762) remain some of the most influential texts in the canon of Western philosophy.

By the end of the 18th century, however, European writers began to reject the rationalism of the Enlightenment in favor of sentimentality and imagination. Starting in Germany in the late 1700s and emphasizing individual expression in art and individual rights in politics, Romanticism had become Europe’s dominant literary and artistic movement by the beginning of the 19th century.

Romanticism was a literary movement that emphasized individuality and strong emotions, idealized Nature, and explored universal themes such as love and loss.

Romantic writers such as Victor Hugo (1802-1885), Johann Wolfgang von Goethe (1749-1832), and William Blake (1757-1827) emphasized the power of emotions, the beauty of nature, and importance of giving the imagination free rein. Works like Hugo's Les Miserables (1862) and Blake's Songs of Innocence and Experience (1794) are frequently studied to understand the cultural, morally philosophical, theological, and social views of the early-to-mid nineteenth century, with texts like Les Miserables important for critiquing French politics after the French Revolution.

European Romanticism influenced a similar yet distinct literary movement in the United States. American Romanticism, commonly referred to as the first truly American literary movement, emphasized the newness and optimism of the western frontier and hope for the new country.

Realism

By the mid-19th century, Realism had overtaken Romanticism as authors rejected idealization in favor of a realistic, if often bleak, depiction of everyday life. First published in 1856, Madame Bovary by the French Gustave Flaubert (1821-1880) is generally seen as the herald of this new literary movement. Intensely focused on the mundane details and dissatisfactions of Madame Bovary’s bourgeois life, the novel marked a sharp contrast from the sweeping romanticization and idealism of the Romantic period.

Realism was a literary movement beginning in the mid-19th century where authors sought to depict life as realistically as possible.

Authors across Europe, including Leo Tolstoy (1828-1910), Henrik Ibsen (1828-1906), and Charles Dickens (1812-1870) followed Flaubert’s example, using literature to depict daily life and critique society and middle-class morality.

Modernism

Towards the end of the 19th century, Realism gave way to Modernism, a literary movement that continued the Realist tradition of social critique but focused on the form and style of writing instead of plot and content. This resulted in a variety of new narrative techniques, including stream-of-consciousness narration, non-linear storylines, and multiple viewpoints.

Modernism was a literary movement of the late 19th and early 20th centuries. Authors were inspired to break away from past literary conventions and play with their work’s form, style, and structure.

Writers like James Joyce (1882-1941), Franz Kafka (1883-1924), and Virginia Woolf (1882-1941) set a prescient for experimentation that would carry on into the 21st century. Modernist writers also explored the effects of Industrialisation, war, and new technologies on society. Famous modernist texts include:

  • Joseph Conrad's Heart of Darkness (1899)
  • T.S. Eliot's The Wasteland (1922)
  • James Joyce's Ulysses (1920)
  • Katherine Mansfield's "The Garden Party" (1922)
  • Marcel Proust's À la recherche du temps perdu (1922 English Trans.)
  • Virginia Woolf's Mrs Dalloway (1925)

Postmodernism and Contemporary Literature

The end of World War II in 1945 generally marks the start of the Postmodern period and the beginning of the contemporary era. Postmodern authors used techniques like intertextuality, parody, and metafiction to continue and expand the literary experimentation that began with Modernism.

Intertextuality is a literary convention where an author uses various techniques, including quotes, allusions, and more, to refer to and connect their text to another.

Parody is an exaggerated imitation of a work or style for comedic effect and to mock or draw attention to specific elements of a text.

Metafiction is a literary technique where the author draws attention to the constructed nature of the text itself.

In European literature, many sub-movements among Postmodern authors, such as the Theatre of the Absurd, developed in reaction to the senselessness of World War II. The Irish playwright Samuel Beckett (1906-1989) is often cited as one of the most important figures in the Theatre of the Absurd movement, with his modern classic Waiting for Godot (1953) capturing the essential themes of existentialism and the meaninglessness of life.

Theatre of the Absurd was a literary movement in the 1950s and 60s. Plays from this movement believed that life was essentially meaningless.

Authors of European Literature

European literature includes some of the best-known authors in the world, responsible for creating some of humanity’s greatest literary achievements. Naming them all would be next to impossible in a single article, but some examples include in the following:

  • Sophocles (Greece; 495-406 BCE)
  • Dante Alighieri (Italy; 1265-1321)
  • Miguel de Cervantes (Spain; 1547-1616)
  • William Shakespeare (England; 1564-1616)
  • William Blake (England; 1757-1827)
  • Victor Hugo (French; 1802-1885)
  • Johann Wolfgang von Goethe (Germany; 1749-1832)
  • Gustave Flaubert (French; 1821-1880)
  • Henrik Ibsen (Norway; 1828-1906)
  • Leo Tolstoy (Russia; 1828-1910)
  • Charles Dickens (England; 1812-1870)
  • James Joyce (Ireland; 1882-1941)
  • Franz Kafka (Prague; 1883-1924)
  • Virginia Woolf (England; 1882-1941)

Classic Works of European Literature

There are important examples of European literature from every period of European history.

Classical Greek and Roman Literature

Many works of literature from ancient Greece and Rome are still widely read.

  • The Iliad (c. 8th century BCE) by Homer
  • The Odyssey (c. 8th century BCE) by Homer
  • Medea (431 BCE) by Euripides (480-406 BCE)
  • Metamorphoses (8th century CE) by Ovid (43 BCE-17/18 CE)

Literature from the Middle Ages

The Church largely controlled European literature from the Middle Ages; however, there are also some examples of secular writings.

  • Beowulf (c. 1000 CE) by Anonymous
  • The Divine Comedy (1320) by Dante Alighieri (Italy; 1265-1321)
  • The Canterbury Tales (1392) by Geoffrey Chaucer (England; c. 1340s-1400)
  • Everyman (1510) by Anonymous

Literature from the Renaissance

The Renaissance represented a renewed interest in the literature of antiquity and individual expression in art.

  • Praise of Folly (1509) by Desiderius Erasmus (The Netherlands; 1466-1536)
  • Romeo and Juliet (1597) by William Shakespeare (England; 1564-1616)
  • Don Quixote (1605) by Miguel de Cervantes (Spain; 1547-1616)
  • Paradise Lost (1667) by John Milton (England; 1608-1674)

Literature from the Enlightenment and Romanticism

Between the 18th and 19th centuries, the rationalism of the Enlightenment gradually faded into the sentimentality of Romanticism.

  • Robinson Crusoe (1719) by Daniel Defoe (England; c. 1660-1731)
  • Frankenstein (1818) by Mary Shelley (England; 1797-1851)
  • Faust (1829) by Johann Wolfgang von Goethe (Germany; 1749-1832)
  • Les Miserables (1862) by Victor Hugo (France; 1802-1885)

Realist Literature

By the mid-19th century, European writers had adopted Realism to depict the mundanity of daily life in literature.

  • Madame Bovary (1856) by Gustave Flaubert (France; 1821-1880)
  • A Tale of Two Cities (1859) by Charles Dickens (England; 1812-1870)
  • A Doll’s House (1879) by Henrik Ibsen (Norway; 1828-1906)
  • War and Peace (1869) by Leo Tolstoy (Russia; 1828-1910)

Modernist Literature

Modernism followed the literary movement of Realism in Europe and represented an emphasis on form and structure in place of plot and content.

Postmodernist Literature

Postmodernist authors continued and expanded upon the experimental tendencies that began during the Modernist movement.

  • Waiting for Godot (1953) by Samuel Beckett (Ireland; 1906-1989)
  • The French Lieutenant’s Woman (1969) by John Fowles (England; 1926-2005)
  • If on a winter’s night a traveler (1979) by Italo Calvino (Italy; 1923-1985)
  • Foucault’s Pendulum (1988) by Umberto Eco (Italy; 1932-2016)

Key Characteristics of European Literature

European literature is a diverse body of work that spans many countries, cultures, and languages. However, it does share certain characteristics that make it a unified body of work and set it apart from literature belonging to other parts of the world.

Primarily, European literature shares a common heritage. Nearly all forms of European literature can be traced back to the writings of the classical Greek and Roman periods. The literary forms still present in Europe to this day, such as poetry, fictional prose, drama, history, biography, etc., were established by Greek and Roman writers and then dispersed throughout the continent by the Roman Empire and Christianity.

The widespread reach of the Roman Empire and later of the Roman Catholic Church lent a degree of religious and cultural continuity to the many European countries reflected in the region’s literature.

The Contribution of European Literature

The importance of the European literary tradition cannot be overstated. The continent has produced some of the world’s most widely-read and influential writers and includes the literature of many significant cultures and languages. Writers such as Voltaire, Shakespeare, Hugo, Tolstoy, and Woolf have all offered insights into European history and culture while also at times questioning European views and philosophy as they developed over time.

Additionally, when European colonization began in earnest in the 15th century, European literary traditions were exported around the world and played a key role in transforming the literature of colonized countries. However, many indigenous literary traditions were lost to colonialism as a consequence. Post-colonial literature produced by writers such as Doris Lessing, Chinua Achebe, and Jean Rhys all critique the effects of European colonialism on language, culture, and literature in previously colonised countries. Achebe is especially known for defending his use of the English Language in his novels.

Today, there is hardly a writer alive that has not been influenced by some work of European literature including those who seek to critique or parody many European Literary traditions and topics.

European Literature - Key takeaways

  • European literature is a broad term covering the literary works produced in Europe, spanning many centuries, languages, and genres.
  • European literature began in ancient Greece nearly three thousand years ago. Ancient Greek writers established all the major literary categories that we use today, including poetry, fictional prose, drama, history, and biography.
  • The widespread reach of the Roman Empire and Christianity promoted the spread of a shared literary tradition across Europe.
  • Some key authors of European literature include Homer, William Shakespeare, Victor Hugo, Leo Tolstoy, and Virginia Woolf.
  • European literature is one of the most influential literary traditions in the world.

Frequently Asked Questions about European Literature

Examining European literature allows insight into its cultural traditions and reflects the shared cultural heritage of Europe, dating from the time of the ancient Greeks and Romans. Centering narratives around love, religion, and individuality mirrors how these commonly shared values operate in people’s lives.

European Romanticism emphasized individual expression in art and politics and marked a departure from the rationalism of the Enlightenment.

Romanticism in Europe inspired a similar yet distinct movement of Romanticism in the United States. American Romanticism is often referred to as the first truly American literary movement.

European literature has been influenced by a number of factors, including the power of the Catholic Church and numerous social and political factors.

Some classic examples of European literature include The Odyssey by Homer, Romeo and Juliet by William Shakespeare, Don Quixote by Miguel de Cervantes, and Les Miserables by Victor Hugo.

Final European Literature Quiz

European Literature Quiz - Teste dein Wissen

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Who is Franz Kafka?

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Franz Kafka (1883-1924) was a German-language author of short stories and novels, including "The Metamorphosis", The Trial, and "In the Penal Colony". He is one of the most influential writers of the 20th century given his wholly original style that touches on existentialism and absurdism.

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What did Franz Kafka write?

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Franz Kafka wrote many short stories and novels, including "The Metamorphosis", The Trial, and "In the Penal Colony". He published two short story collections, entitled Contemplations and A Country Doctor.

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What was Franz Kafka's philosophy?

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Kafka is compared with both existentialism and absurdism. His writing showcased chaotic worlds in which his characters navigated frightening, absurd situations. His works showcase the futility of trying to make sense of a senseless world.

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What does Kafkaesque mean?

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Kafkaesque refers to a piece of media or situation that has elements of Franz Kafka's writing. Kafkaesque generally contains the nightmarish, absurd qualities of Kafka's invented worlds.

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Where is Kafka from?

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Franz Kafka grew up in Prague in what was the Austro-Hungarian Empire but is now the modern-day capital of the Czech Republic

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How did Franz Kafka die?

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Franz Kafka died of tuberculosis; he had contracted the disease seven years previously and died in 1924.

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Who was Max Brod?

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Max Brod was a close friend and executor of Franz Kafka's literary estate. The two met in University and maintained a lifelong friendship. Brod is credited with Kafka's sustained influence given Brod was in charge of publishing Kafka's works.

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When was The Metamorphosis written?

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The Metamorphosis was published in 1915 by Franz Kafka, a German-language author, who began writing it in 1912.

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Who wrote The Metamorphosis?

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Franz Kafka wrote The Metamorphosis in 1912 and it was published in 1915

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What is The Metamorphosis about?

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The Metamorphosis follows Gregor Samsa, a traveling salesman, as he wakes up one day to find that he has transformed into a giant insect. What follows is a story that examines familial relationships, alienation, and transformation, all within the bounds of this absurdist setup.

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What are the themes in The Metamorphosis?

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The Metamorphosis touches upon themes of alienation, familial relationships, transformation, and absurdism.

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Which of Gregor's family members was initially the most attentive to Gregor after he transforms?

  1. Mr. Samsa
  2. Mrs. Samsa
  3. Grete

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3. Grete

Grete brings Gregor food and removes the furniture from his room so that he can enjoy crawling along the walls and ceiling. As the story progresses, Grete too becomes resentful of Gregor, culminating in her calling him 'it,' finalizing Gregor's dehumanization.

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Where does The Metamorphosis take place?

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The entirety ofThe Metamorphosis takes place within the Samsa family apartment. Gregor is confined to his room for the story after his transformation. In the final paragraph, Mr. and Mrs. Samsa and Grete leave the apartment and ride a tram to the countryside. This is the only time the characters are described as having left the apartment.

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What is absurdism in literature?

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Absurdism in literature is the conflict between humans trying to find meaning in existence and existence’s inherent lack of meaning.

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What is Gregor's profession?

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Gregor works as a traveling salesman. He does not enjoy the job. He is the family's sole breadwinner and must work to pay of his family's debt.

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What is Gregor's relationship with his father?

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Prior to Gregor's transformation, Mr. Samsa treated him as nothing more than the barrier stopping the family from total financial ruin. After Gregor's transformation, Mr. Samsa treats Gregor with outright disdain. Mr. Samsa's new job infects him with new energy which becomes hostility when directed towards Gregor. He throws the apple that gets lodged in Gregor's back leading to his eventual death.

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Who was Joseph Conrad?

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Joseph Conrad was a Polish-British author most recognized for his novella, Heart of Darkness.

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How did his work as a sailor influence Joseph Conrad's writing?

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Joseph Conrad's work as a sailor influenced the locations of his stories and his themes of honor and the value of hard work.

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What were themes in Joseph Conrad's writing?

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All of the Above

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What made Conrad a literary impressionist writer?

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Conrad can be categorized as a literary impressionist because he included complex sensory images in his writing.

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What made Joseph Conrad an Early Modernist?

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Joseph Conrad is considered to be an Early Modernist because he experimented with writing structure in his texts, for example, by using time in non-linear ways.

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Why is Heart of Darkness controversial?

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Heart of Darkness is controversial because it depicts African characters in negative and stereotypical ways.

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How was Heart of Darkness ahead of its time?

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Heart of Darkness was ahead of its time because Conrad openly criticized colonialism.

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How is Joseph Conrad's writing an example of Realism?

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Conrad's everyman characters living in ordinary settings place his writing in the realm of Realism.

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Who are the characters in The Metamorphosis?

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The protagonist is Gregor Samsa, and the main characters are his family members: Mr. Samsa, his father, Mrs. Samsa, his mother, and Grete, his sister.

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Who is Leo Tolstoy?

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Leo Tolstoy (1828-1910) was a Russian author, considered one of the greatest writers to ever have lived. He was born and raised in Russia, and spent time fighting in the Crimean war and traveling Europe. His time in the war and subsequent travels helped shape Tolstoy’s life philosophies, and he became an advocate for nonviolence, education, and rejected organized religion in favor of Christian anarchism.

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What did Tolstoy write?

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Leo Tolstoy wrote many novels, novellas, short stories, nonfiction essays, and treatises. His most famous works of literature are his novels War and Peace (1869) and Anna Karenina (1878). His novella, The Death of Ivan Ilyich (1886) is also very well-known.

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What are some common themes in Leo Tolstoy's works?


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Common themes in Leo Tolstoy’s works include familial relationships, this means romantic love, platonic love, infidelity, and the relations amongst family members. He also wrote extensively about the political realities of life in Russia during the Napoleonic Wars and during the Imperial reign in the 19th century. He wrote often about the realities of aristocratic life in Russia. He also often wrote about religion; Tolstoy was a Christian anarchist and he wrote about the power of love as a guiding force in life and how it stems from the love of God.

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What is Leo Tolstoy’s style of writing?

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Tolstoy’s style of writing is Realist. He sought to describe characters who existed in morally grey areas, who could not be described in black or white terms. He also mixed the idea of the historical novel with that of a familial story, and his long fiction books often functioned as both of these two genres at once.

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How did Leo Tolstoy die?

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Tolstoy died of pneumonia at a train station in 1910. He was 82 at the time of his death. He had left home as he and his wife were arguing over his religious and political beliefs. Following his death, his funeral cavalcade was watched by thousands of peasants.

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Leo Tolstoy wrote great heroic characters in the style of Romantic authors in the 19th century.

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False

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"Happy families are all alike; every unhappy family is unhappy in its own way" is the opening line of which of Tolstoy's works?

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War and Peace

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What is Tolstoy's legacy?

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Tolstoy is known as one of the greatest writers in history. His novels War and Peace (1869) and Anna Karenina (1878) are still celebrated today as masterpieces of realistic, historical writing. Outside of the literary world, Tolstoy's writings and philosophy on nonviolence, state opposition, and education were formative in Russia and to leaders across the world.

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Which war did Tolstoy fight in?

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Franco-Austrian War

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What is Anna Karenina by Leo Tolstoy about?

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Anna Karenina (1878) is a Russian novel by Tolstoy that deals with social themes surrounding familial relationships, infidelity, love, and the social norms of the Russian aristocracy. He also delves into political themes, such as Russian government and politics, the feudal system in Russia, and the influence of the Church.

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What is Anna Karenina about?

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Anna Karenina is about a Russian aristocrat, the titular Anna, who embarks on a doomed love affair with a younger military man. Her infidelity leads Anna toward paranoia and anxiety, and at the end of the novel, the consequences of her decisions and rejection from society lead Anna to suicide. A simultaneous story shows the love between Kitty, a young socialite, and Levin, a wealthy landowner. The two find solace in an agrarian lifestyle far from the corruption of the Russian cities.

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Who wrote Anna Karenina?

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Anna Karenina (1877) was written by Russian author Leo Tolstoy (1828-1910). Tolstoy is considered to be one of the greatest authors of all time. He wrote Anna Karenina while he was living at home in Russia with his wife, engaged in the raising of their children.

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What are the main points in Anna Karenina?

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The main points of Anna Karenina concern infidelity, familial relationships, and societal transformation. Anna’s storyline sees her shunned from society for her infidelity while Vronsky does not experience the same suffering. She descends further into paranoia and jealous as the story progresses due to her affair. While Anna’s family is torn apart, Levin builds a family with Kitty. All this occurs against the backdrop of societal transformation—new agriculture technologies, new modes of transformation, and new progressive ideals come to Russia.

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What do the trains symbolize in Anna Karenina?

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In Anna Karenina, Tolstoy uses the trains to show the ushering in of progress in contrast to traditional values and ways of doing things in Russia. Simultaneously, the trains foreshadow Anna's eventual death, as when she and Vronsky first meet at a train station they witness a worker fall to his death between the wheels of a train.

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How is Anna Karenina a realist novel?

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Anna Karenina is a realist novel because Tolstoy wrote it in a way that it was meant to be as true to life as possible. He did so by using matter of fact diction and by utilizing the characters' inner monologues in order to portray exactly what they were thinking and feeling.

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How is infidelity as a theme used in the novel?

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Infidelity is a major theme. Anna's infidelity to Karenin leads to her downfall as she embarks on an affair with Vronsky. While it is understood that many of the upper class engage in affairs, such as Princess Betsy, Anna was shunned for her blatant, obvious affair with Vronsky. The novel even opens with the Oblonsky family in uproar after Dolly discovered Stiva's infidelity, Anna arrives and convinces Dolly that Stiva still loves her.

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What event forces Anna to reveal the affair to Karenin?

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After Anna makes a scene at the horse racing when she is concerned for Vronsky, she finally tells Karenin about the affair. She also reveals that she is pregnant with Vronsky's child.

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What event causes Karenin to state his forgiveness of Anna and Vronsky's actions?

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When Anna gives birth to her baby daughter, she becomes gravely ill and they believe she will die. Karenin forgives Vronsky and Anna in this moment.

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Nikolai is the brother of which character?

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Anna

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What happens at the train station the first time Vronsky and Anna meet?

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Answer

A worker falls to his death between the wheels of a train. This foreshadows Anna's eventual suicide at the train station where she throws herself between the wheels of a train.

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What does inner turmoil affect in Lord Jim?

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Answer

Inner turmoil affects Jim's life choices and interpersonal relationships in Lord Jim.

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What is an example of doubled characters in Joseph Conrad's writing?

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Answer

Marlow and Kurtz, from Heart of Darkness, are examples of doubled characters in Conrad's writing.

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Who wrote Crime and Punishment (1866)?

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Answer

Fyodor Dostoevsky

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Who is Raskolnikov?

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Answer

The protagonist of the novel who murders a pawnbroker and her sister. Raskolnikov is ill which is caused by his confused feeling surrounding the murders. He is poor and alienates himself from society. 

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What justification does Raskolnikov give for committing murder?

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Answer

Extraordinary and great men have committed sins and are still moral. He cites men like Solon and Napoleon.

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What were themes in Joseph Conrad's writing?

Leo Tolstoy wrote great heroic characters in the style of Romantic authors in the 19th century.

"Happy families are all alike; every unhappy family is unhappy in its own way" is the opening line of which of Tolstoy's works?

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Flashcards in European Literature1397

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Who is Franz Kafka?

Franz Kafka (1883-1924) was a German-language author of short stories and novels, including "The Metamorphosis", The Trial, and "In the Penal Colony". He is one of the most influential writers of the 20th century given his wholly original style that touches on existentialism and absurdism.

What did Franz Kafka write?

Franz Kafka wrote many short stories and novels, including "The Metamorphosis", The Trial, and "In the Penal Colony". He published two short story collections, entitled Contemplations and A Country Doctor.

What was Franz Kafka's philosophy?

Kafka is compared with both existentialism and absurdism. His writing showcased chaotic worlds in which his characters navigated frightening, absurd situations. His works showcase the futility of trying to make sense of a senseless world.

What does Kafkaesque mean?

Kafkaesque refers to a piece of media or situation that has elements of Franz Kafka's writing. Kafkaesque generally contains the nightmarish, absurd qualities of Kafka's invented worlds.

Where is Kafka from?

Franz Kafka grew up in Prague in what was the Austro-Hungarian Empire but is now the modern-day capital of the Czech Republic

How did Franz Kafka die?

Franz Kafka died of tuberculosis; he had contracted the disease seven years previously and died in 1924.

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