Oceanian Literature

Oceanian Literature: A History

While little is known about the specific history of much of Oceanian literature, the majority developed through a strong oral storytelling tradition. Before the arrival of Europeans in the 16th century, an estimated 1,400 languages were spoken throughout the more than 10,000 islands that make up Oceania. These languages were divided into three distinct language families: Austronesian, Australian, and Papuan. The linguistic diversity and isolation of the region lead to a variety of distinct and unique literary traditions.

Oceanian literary traditions varied from region to region but were primarily oral in nature and generally included religious stories, myths, histories, and stories purely for entertainment.

These early texts were generally committed to memory and related before an audience or individuals. Because stories were told aloud, they generally relied on typical conventions such as rhyming and repetition to make them easy to memorize.

Although many parts of Oceania did have written language, there was little written literature until the first universities were established in the region in the 1960s.

Oceanian Literature: Development of Written Traditions

The first examples of written Oceanian literature were primarily autobiographies. There were no published works of fiction until 1960 when Cook Islander Thomas Davis published Makutu, Oceania’s first novel.

In the 1960s, establishing the University of Papua New Guinea and the University of the South Pacific in Suva, Fiji, activated serious written literary production in the region for the first time. The University of the South Pacific developed a newspaper, Unispac, where indigenous student writers began to publish their work.

In 1973, a few years after the university was founded, a group of writers began the South Pacific Creative Arts Society and a literary magazine called Mana. Mana was followed by several other literary journals focusing on writing from various parts of Oceania.

By the 1970s, Oceanian writers began to speak out against the European portrayal of the region, and writers were inspired to create literature by and for the Oceanian people. Several key authors began publishing during this time, including the Samoan Albert Wendt (1939-present) and the Tongan-Fijian Epeli Hau’ofa (1939-2009). Writers like Wendt and Hau’ofa sought to bring an authentic representation of the Oceanian experience to the world stage and establish Oceanian identity through the creation of a thriving regional literature.

Most of Oceanian literature is written in English; however, there is an ever-increasing interest in local languages, and several literary journals are dedicated to publishing work in Samoan, Tongan, and more.

Oceanian Literature: Significance in World Literature

Oceanian literature is significant in world literature because it remains relatively unknown. Very few authors from the region have gained international readership, and it is almost impossible to find published work from some island nations. Oceanian literature is also unique in that it has been relatively uninfluenced by larger global literature trends and movements. It represents a unique field of literature that explores themes specific to the Oceanian experience.

Oceanian Literature: Characteristics

Oceanian literature has several characteristics that set it apart from the literature pertaining to other parts of the world. A long and vital tradition of oral storytelling preceded written literature in Oceania. This history continues to influence the region’s literature as writers retell traditional myths and stories and explore the larger function of storytelling in the various Oceanian cultures. Oceanian literature is also endowed with a strong sense of place, including reoccurring imagery of the ocean and islands.

Finally, Oceanian literature is concerned with creating an authentic representation of Oceanian identity and rejecting a westernized, colonial depiction of the region.

The Influence of Oral Storytelling

The region’s longstanding oral storytelling traditions heavily influence much of Oceania’s written literature. Many writers, including Akanisi Sobusobu, Sitiveni Kalouniviti, and Epeli Hau’ofa, have used traditional stories such as myths and legends as a basis for written literature.

Furthermore, many works of Oceanian literature capture the importance of oral storytelling in society. The texts often contain colloquialisms and language particular to specific places and cultures.

A Strong Sense of Place

Oceanian literature is grounded in its sense of place.

Besides representing the cultures and communities of the Pacific, the region’s literature is rich with depictions of Oceania’s geography. The sea plays a key role, both in depicting the realities of island life and in its symbolic significance as something that unites and separates the island nations. Also important is the depiction of the indigenous flora and fauna of the islands, much of which carries cultural significance.

Fig. 2 - A sense of place and identity is important in Oceanian Litetature.

The sense of place in Oceanian literature is all the more significant as the effects of climate change become more apparent. A growing body of Oceanian eco-literature explores the interaction of the literature and environmental concerns in the region.

Authentic Depiction of Oceanian Identity

Like much post-colonial literature, Oceanian literature rejects a westernized, colonial viewpoint and instead creates an authentic representation of Oceanian identity and culture.

Writers like Epeli Hau’ofa use literature to assert independence and suss out the subtleties of Oceanian identity, challenging the homogeny and stereotypes of outside viewpoints. Much of the region’s literature is geographically specific, set in the towns and communities of the Pacific Islands, and draws on history and elements of cultural significance to create a rich and accurate representation of Oceanian identity.